Publisher: St. Martin's Press
Genre: Historical Fiction, Women’s Fiction
Length: (368) pages
Format: Hardcover, eBook, & audiobook
ISBN: 978-1250276698
Synopsis
Natalie Jenner, the internationally bestselling author of The Jane Austen Society, returns with a compelling and heartwarming story of post-war London, a century-old bookstore, and three women determined to find their way in a fast-changing world in Bloomsbury Girls.
Bloomsbury Books is an old-fashioned new and rare bookstore that has persisted and resisted change for a hundred years, run by men and guided by the general manager's unbreakable fifty-one rules. But in 1950, the world is changing, especially the world of books and publishing, and at Bloomsbury Books, the girls in the shop have plans:
Vivien Lowry: Single since her aristocratic fiancé was killed in action during World War II, the brilliant and stylish Vivien has a long list of grievances--most of them well justified and the biggest of which is Alec McDonough, the Head of Fiction.
Grace Perkins: Married with two sons, she's been working to support the family following her husband's breakdown in the aftermath of the war. Torn between duty to her family and dreams of her own.
Evie Stone: In the first class of female students from Cambridge permitted to earn a degree, Evie was denied an academic position in favor of her less accomplished male rival. Now she's working at Bloomsbury Books while she plans to remake her own future.
As they interact with various literary figures of the time--Daphne Du Maurier, Ellen Doubleday, Sonia Blair (widow of George Orwell), Samuel Beckett, Peggy Guggenheim, and others--these three women with their complex web of relationships, goals and dreams are all working to plot out a future that is richer and more rewarding than anything society will allow.
Excerpt from Chapter Two of Bloomsbury Girls
The Tyrant was Alec McDonough, a bachelor in his early thirties who ran the New Books, Fiction & Art Department on the ground floor of Bloomsbury Books. He had read literature and fine art at the University of Bristol and been planning on a career in something big—Vivien accused him of wanting to run a small colony—when the war had intervened. Following his honourable discharge in 1945, Alec had joined the shop on the exact same day as Vivien. “By an hour ahead. Like a dominant twin,” she would quip whenever Alec was rewarded with anything first.
From the start Alec and Vivien were rivals, and not just for increasing control of the fiction floor. Every editor that wandered in, every literary guest speaker, was a chance for them to have access to the powers that be in the publishing industry. As two secretly aspiring writers, they had each come to London and taken the position at Bloomsbury Books for this reason. But they were also both savvy enough to know that the men in charge—from the rigid Mr. Dutton and then-head-of-fiction Graham Kingsley, to the restless Frank Allen and crusty Master Mariner Scott—were whom they first needed to please. Alec had a clear and distinct advantage when it came to that. Between the tales of wartime service, shared grammar schools, and past cricket-match victories, Vivien grew quickly dismayed at her own possibility for promotion.
Sure enough, within weeks Alec had quickly entrenched himself with both the long-standing general manager, Herbert Dutton, and his right-hand man, Frank Allen. By 1948, upon the retirement of Graham Kingsley, Alec had ascended to the post of head of fiction, and within the year had added new books and art to his oversight—an achievement which Vivien still referred to as the Annexation.
She had been first to call him the Tyrant; he called her nothing at all. Vivien’s issues with Alec ranged from the titles they stocked on the shelves, to his preference for booking events exclusively with male authors who had served in war. With her own degree in literature from Durham (Cambridge, her dream university, still refusing in 1941 to graduate women), Vivien had rigorously informed views on the types of books the fiction department should carry. Not surprisingly, Alec disputed these views.
“But he doesn’t even read women,” Vivien would bemoan to Grace, who would nod back in sympathy while trying to remember her grocery list before the bus journey home. “I mean, what—one Jane Austen on the shelves? No Katherine Mansfield. No Porter. I mean, I read that Salinger story in The New Yorker he keeps going on about: shell-shocked soldiers and children all over the place, and I don’t see what’s so masculine about that.”
Unlike Vivien, Grace did not have much time for personal reading, an irony her husband often pointed out. But Grace did not work at the shop for the books. She worked there because the bus journey into Bloomsbury took only twenty minutes, she could drop the children off at school on the way, and she could take the shop newspapers home at the end of the day. Grace had been the one to suggest that they also carry import magazines, in particular The New Yorker. Being so close to the British Museum and the theatre district, Bloomsbury Books received its share of wealthy American tourists. Grace was convinced that such touches from home would increase their time spent browsing, along with jazz music on the wireless by the front cash, one of many ideas that Mr. Dutton was still managing to resist.
Vivien and Alec had manned the ground floor of the shop together for over four years, circling each other within the front cash counter like wary lions inside a very small coliseum. The square, enclosed counter had been placed in the centre of the fiction department in an effort to contain an old electrical outlet box protruding from the floor. Mr. Dutton could not look at this eyesore without seeing a customer lawsuit for damages caused by accidental tripping. Upon his promotion to general manager in the 1930s, Dutton had immediately ordained that the front cash area be relocated and built around the box.
This configuration had turned out to be of great benefit to the staff. One could always spot a customer coming from any direction, prepare the appropriate response to expressions ranging from confused to hostile, and even catch the surreptitious slip of an unpurchased book into a handbag. Other bookshops had taken note of Bloomsbury Books’ ground-floor design and started refurbishing their own. The entire neighbourhood was, in this way, full of spies. Grace and Vivien were not the only two bookstore employees out and about, checking on other stores’ window displays. London was starting to boom again, after five long years of postwar rationing and recovery, and new bookshops were popping up all over. Bloomsbury was home to the British Museum, the University of London, and many famous authors past and present, including the prewar circle of Virginia Woolf, E. M. Forster, and Lytton Strachey. This made the district a particularly ideal location for readers, authors, and customers alike.
And so, it was here, on a lightly snowing day on the second of January, 1950, that a young Evie Stone arrived, Mr. Allen’s trading card in one pocket, and a one-way train ticket to London in the other.
Excerpt courtesy of St. Martin’s Press, New York. Copyright © 2022 by Natalie Jenner. All rights reserved.
Book Trailer
https://www.youtube.com/watch?v=fOOXfMlNnjg
Audiobook
Narrated by esteemed stage and screen actress Juliet Stevenson, enjoy the full unabridged edition of Bloomsbury Girls. “Stevenson delivers the satisfying triumph at the end with perfect polish.” —AudioFile Magazine
AUDIOBOOK EXCERPT
https://soundcloud.com/macaudio-2/bloomsbury-girls-by-natalie-jenner-audiobook-introduction
Advance Priase
"Jenner follows The Jane Austen Society (2020) with another top-notch reading experience, using the same deft hand at creating complex, emotionally engaging characters [against] a backdrop chock-full of factual historical information... Fans of Christina Baker Kline, Kate Quinn and Pam Jenoff [will] appreciate this gem." —Booklist (starred review)
"An illuminating yarn... Fans of emotional historical fiction will be charmed." —Publishers Weekly
"Bloomsbury Girls is an immersive tale of three women determined to forge their own paths in 1950s London. Jenner has proven to be a master at spinning charming, earnest characters and paints a vivid picture of postwar England. I wanted to stay lost in her world forever!" —Stephanie Wrobel, internationally bestselling author of Darling Rose Gold
"Bloomsbury Girls is a book lover's dream, one of those rare reads that elicits a sense of book-ish wistfulness and nostalgia. Jenner has created a colorful cast of characters in a story about friendship, perseverance, and the ways that determined women can band together in a man's world. You're in for a treat." —Sarah Penner, New York Times bestselling author of The Lost Apothecary
"In a London still reeling from the ravages of World War II and the changes war has brought to English society, three young women take their futures into their own hands. With Bloomsbury Girls, Natalie Jenner has penned a timely and beautiful ode to ambition, friendship, bookshops, and the written word." —Janet Skeslien Charles, New York Times bestselling author of The Paris Library
“In post-war London, Bloomsbury Books survived The Blitz until Vivien Lowry, Grace Perkins, and Evie Stone set off their own bomb on the stuffy all-male management. What ensues is the most delightful, witty, and endearing story you will read this year. Natalie Jenner, bestselling author of The Jane Austen Society, proves that she was not a one hit wonder. Like Austen, her second book is even better than the first.” —Laurel Ann Nattress, editor of Jane Austen Made Me Do It
Where to Purchase
PRINT & DIGITAL BOOK
AMAZON | BARNES & NOBLE | BOOK DEPOSITORY | BOOKSHOP | GOODREADS | BOOKBUB
AUDIOBOOK
AMAZON | BARNES & NOBLE | BOOK DEPOSITORY | BOOKSHOP | GOODREADS
A Message from Natalie Jenner
Dear readers, I am immensely grateful for the outpouring of affection that so many of you have expressed for my debut novel The Jane Austen Society and its eight main characters. When I wrote its epilogue (in one go and without ever changing a word), I wanted to give each of Adam, Mimi, Dr. Gray, Adeline, Yardley, Frances, Evie and Andrew the happy Austenesque ending they each deserved. But I could not let go of servant girl Evie Stone, the youngest and only character inspired by real life (my mother, who had to leave school at age fourteen, and my daughter, who does eighteenth-century research for a university professor and his team). Bloomsbury Girls continues Evie’s adventures into a 1950s London bookshop where there is a battle of the sexes raging between the male managers and the female staff, who decide to pull together their smarts, connections, and limited resources to take over the shop and make it their own. There are dozens of new characters in Bloomsbury Girls from several different countries, and audiobook narration was going to require a female voice of the highest training and caliber. When I learned that British stage and screen actress Juliet Stevenson, CBE, had agreed to narrate, I knew that my story could not be in better hands, and I so hope you enjoy reading or listening to it. Warmest regards, Natalie
Meet the Author
Connect with Natalie:
WEBSITE | TWITTER | FACEBOOK | INSTAGRAM | GOODREADS
Thanks for sharing, Yvonne. I enjoyed being in a London bookshop with these three ladies. Jenner has a gift for characterization and plot that I appreciate. I am looking forward to her next book.
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